A few examples of appraisal values for
TIFFANY LAMPS

• TIFFANY STUDIOS BLOWN-OUT INKWELL Circa
  TIFFANY STUDIOS BLOWN-OUT INKWELL Circa 1905, favrile glass, patinaed bronze with a clear glass inkwell liner. Impressed '25055/TIFFANY STUDIOS/NEW YORK' with the Tiffany Glass & Decorating Company monogram. Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 427, no. 1697.
• TIFFANY STUDIOS THREE-LIGHT LILY TABLE
  TIFFANY STUDIOS THREE-LIGHT LILY TABLE LAMP Circa 1910. Favrile glass, patinated bronze. Two shades inscribed 'L.C.T. Favrile'. Base impressed '320/TIFFANY STUDIOS/NEW YORK'. Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 59, no. 212.
• TIFFANY STUDIOS DOGWOOD Circa 1905,
  TIFFANY STUDIOS DOGWOOD Circa 1905, leaded glass, patinaed bronze. Shade impressed 'TIFFANY STUDIOS NEW YORK 1504-16'. On an adjustable Library Standard "cat's paw" base, impressed 'TIFFANY STUDIOS NEW YORK 391'. Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 100, fig. 394 (for similar example).
• TIFFANY STUDIOS RAISED BRANCH, APPLE
  TIFFANY STUDIOS RAISED BRANCH, APPLE BLOSSOM TABLE LAMP Circa 1910, leaded glass, patinaed bronze. Base impressed 'TIFFANY STUDIOS NEW YORK 26878'. Also stamped with Tiffany Studios Decorating monogram.Literature Note: Alastair Duncan, Tiffany Lamps and Metalware, Woodbridge, Suffolk, 2007, p. 137, no. 574 (for the shade).
• Tiffany Studios. Pine Needle fourteen-piece
  Tiffany Studios. Pine Needle fourteen-piece desk set. c. 1920, gilt bronze, Favrile glass, printed card stock, glass. 11½ h × 9 w × 4¼ d in. result: $3,668. estimate: $2,500–3,500. Set is comprised of a letter rack, picture frame, stamp box, rocker blotter, pen wipe, letter scale, paper knife, reading glass, inkstand, perpetual calendar, paper clip, pen tray, memoranda pad, and a pair of blotter ends. Impressed to each example ‘TIFFANY STUDIOS NEW YORK’ and numbered ‘1008’, ‘919’, ‘801’, ‘905’, ‘982’, ‘872’, ‘969’, ‘903’, ‘846’ ‘930’, ‘971’, ‘1004’ ‘1022’, and ‘999’, respectively. Provenance: Tiffany Desk Sets, Holland, ppg. 47-78 Tiffany Lamps and Metalware: New Edition, Duncan, ppg. 510-513 illustrate the series
• ASSORTED REFERENCE BOOKS RELATED TO
  ASSORTED REFERENCE BOOKS RELATED TO GLASS42 volumes including: The Art of Rene Lalique by Patricia Bayer and Mark Waller, Secaucus, New Jersey: Wellfleet Press, 1988; Old Glass, European and American by N. Hudson Moore, New York: Tudor Publishing, 1935; Glass in Early America by Arlene Palmer, Winterthur, Delaware: The Henry Francis du Pont Winterthur Museum Publishing, 1993; Rarities in American Cut Glass by Herbert Wiener and Freda Lipkowitz, Houston, Texas: Collectors House of Books Publishing, 1975; Glass, 5,000 Years by Hugh Tait, New York: Harry N. Abrams, Inc., 1991; American Cut and Engraved Glass by Albert Christian Revi, Camden and New York: Thomas Nelson, Inc., 1965; Faberge, Imperial Craftsman and His World by Dr. Geza Von Habsburg, London: Booth-Clibborn, 2000; Tiffany Lamps and Metalware by Alastair Duncan, Woodbridge and Suffolk: Antique Collectors Club, Ltd., 2007; other various titles Condition: fair overall, most with only light wear from usage, some with additional distress at spines and dust jackets, occasional loose binding, presence of bookplate, or library stamping
• TIFFANY STUDIOS BRONZE BASE WITH LEADED
  TIFFANY STUDIOS BRONZE BASE WITH LEADED GLASS SHADEAmerican, 20th century, Tiffany Studios telescopic bronze base #397, one foot stamped "Tiffany Studios/New York/397", six sockets, two marked "Hubbell", one marked "E [arrow]", one marked "Monowatt", one marked "Arrow H&H", one unmarked, wired for electricity, Paul Crist Studios stamped shade, polychrome floral design, interior rim marked "Crist 79BC", 10-7/8 x 22 in., with later heat cap, 25-1/8 x 10-1/2 in. Note: Similar base pictured in Alastair Duncan, Tiffany Lamps and Metalware pg. 95, fig. 364 & 365. Condition: each socket working/electricity working at time of inspection, some sockets likely replaced, fitter ring dented and bent, shade and base sits off kilter, approximately 74 hairlines and cracks, one leaded glass pane with orange glass patch, base with discoloration and uneven patination, verdigris on base and heat cap, wiring possibly later
• TIFFANY STUDIOS "JEWEL AND FEATHER"
  TIFFANY STUDIOS "JEWEL AND FEATHER" TABLE LAMPNew York, early 20th century, base #584, shade #1439, slag glass shade in variegated cream, green, and yellow, with gilt applied to leading, marked "Tiffany Studios/New York" on interior of rim, 6-3/4 x 16-1/4 in.; textured gilt bronze base with three twisted sockets, one marked "Bryan", base marked "Tiffany Studios/New York/584", wired for electricity, 22 x 8 in. Note: Similar shade pictured in Alastair Duncan, Tiffany Lamps and Metalware pg. 152, fig. 623. Condition: approximately 20 hairlines, rubbing and losses to gilt on leading, heat cap, and base, inconsistent gilt finish; base with scratching and discoloration; frayed and torn original cord, not tested for functionality, heat cap does not sit flush
• TIFFANY STUDIOS "PEONY" TABLE LAMPNew
  TIFFANY STUDIOS "PEONY" TABLE LAMPNew York, early 20th century, base #358, shade #1475, leaded glass shade in variegated violet, green, and orange, interior rim marked "Tiffany Studios/New York/1475-17", 7-3/4 x 18-1/2 in.; patinated bronze base with repeating naturalistic decoration, three sockets, each marked "Weber", raised on pad feet, base marked "Tiffany Studios/358", 26-1/2 x 10-1/8 in. Note: Similar example pictured in Alastair Duncan, Tiffany Lamps and Metalware pg. 165, fig. 669. Condition: each socket working/electricity working at time of inspection, shade with a few air bubbles, approximately 90 cracks and fine hairlines, including one area of lower banding with more severe hairlines and spider cracks, surface accretion to shade and base, base causing shade to be slightly off kilter, anomalies as made, heat cap and base with discoloration, verdigris, and uneven patination, wear to feet, probably rewired
• ART NOUVEAU FAVRILE GLASS & BRONZE CANDLESTICKNorth
  ART NOUVEAU FAVRILE GLASS & BRONZE CANDLESTICKNorth America, possibly Tiffany Studios, New York, USA. Favrile glass and brass adjustable candlestick, ca. 1900. Bronze screw attachments for glass cups are numbered (62, 123, and 6T). An elegant adjustable candlestick with a decorated foot and slender stem. The stem branches out with three arms that present floriform favrile glass cups and bronze bobeche inserts for each candle cup. Each floriform gold favrile glass cup boasts beautiful iridescence of fuchsia, violet, and aqua hues as well as striations of coppery plum hues around the ribbed bodies, flared necks, and scalloped rims. The candlestick is adjustable via its attractive floral shaped knob. Simply stunning! Size: 5.75" W x 22" H (14.6 cm x 55.9 cm) Louis Comfort Tiffany (1848-1933) developed a type of iridescent art glass called Favrile glass in the 1890s, patenting Favrile glass in 1894. The name "Favrile" was derived from an Old English word "Frabrile" which means hand made. Favrile glass stands apart from other types of iridescent glass, because the coloring is actually embedded into the glass itself. Winning the grand prize at the 1900 Paris Exposition solidified Tiffany's international fame as one of the stars of Art Nouveau glassmaking! Tiffany's experimentation with Favrile glass led to his discovery that treating molten glass with metallic oxides increased the level of absorption and resulted in mesmerizing iridescence as one can see in this example. This innovation was a marked improvement over earlier glassworks that were painted over with enamels in order to amplify their brilliance. By contrast, Tiffany's glassworks were significantly more impressive, presenting complex coloration as well as sensitively delineated natural forms and motifs. He and his team could create organic motifs like the applied lily pad motifs visible on the candle cup of this candlestick, akin to a virtuosic painter. See a similar candlestick albeit with jeweled cups in Tiffany Lamps and Metalware: An illustrated reference to over 2000 models, by Alastair Duncan, Woodbridge: Suffolk: Antique Collectors’ Club, 1988, p. 384, plate 1566. Provenance: ex-Nancy and Dr. E.F. Simpson collection, Los Angeles, California, USA, acquired from 1970 to 2000 All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm. Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping. #172504 Condition: Overall excellent with some patination and a few very minor casting flaws on candlestick. Glass free of chips save minute flea bites to base of one glass cup which is covered by the bronze screw attachment below it. Each glass cup's bronze screw attachment unscrews from the candlestick, and the screw attachments are numbered (62, 123, and 6T). Note: only one of the glass cups easily unscrews from the screw attachment below to reveal the base of the glass cup. Quite a beauty!
• LOUIS C. TIFFANY FURNACES ART DECO DESK
  LOUIS C. TIFFANY FURNACES ART DECO DESK CLOCK Impressed 'LOUIS C. TIFFANY FURNACES INC, 376'. Movement signed 'CHELSEA CLOCK CO. BOSTON, U.S.A. 154652' Literature : Alastair Duncan, “Tiffany Lamps and Metalware," reference # 1935, P 498.
• UNUSUAL TIFFANY STUDIOS, NEW YORK FLOOR
  UNUSUAL TIFFANY STUDIOS, NEW YORK FLOOR LAMP Early 20th century. Bronze base #430 with full figured goats, fluted acanthus shaft with a bronze and Favrile glass boarder shade. Goldish-brown patina. Literature : Alastair Duncan, “Tiffany Lamps and Metalware, reference # 830, P 211.
• UNUSUAL TIFFANY STUDIOS, NEW YORK DOUBLE
  UNUSUAL TIFFANY STUDIOS, NEW YORK DOUBLE STUDENT LAMP Early 20th century. Leaded glass and patinated bronze. Shades have an early Tiffany Studios tag. Base impressed 'TIFFANY STUDIOS NEW YORK'. Literature : Alastair Duncan, “Tiffany Lamps and Metalware," reference # 207, P 58.
• UNUSUAL TIFFANY STUDIOS, NEW YORK LINEN
  UNUSUAL TIFFANY STUDIOS, NEW YORK LINEN FOLD TABLE LAMP Early 20th century. Favrile glass and patinated bronze. On a wave edge base with reticulated boarder and top. Gold patina. Shade impressed 'TIFFANY STUDIOS NEW YORK 1923'. Base impressed 'TIFFANY STUDIOS NEW YORK 584'. Literature : Alastair Duncan, “Tiffany Lamps and Metalware, reference # 740, P 190.
• TIFFANY STUDIOS, NEW YORK ACORN TABLE
  TIFFANY STUDIOS, NEW YORK ACORN TABLE LAMP Early 20th century. Leaded glass and patinated bronze. Brownish-green patinated naturalistic base. Shade impressed 'TIFFANY STUDIOS NEW YORK'. Base impressed 'TIFFANY STUDIOS NEW YORK 396'. Literature : Alastair Duncan, “Tiffany Lamps and Metalware," reference # 50, P 24.
• RARE TIFFANY STUDIOS, NEW YORK DAFFODIL
  RARE TIFFANY STUDIOS, NEW YORK DAFFODIL TABLE LAMP Early 20th century. Early and rare design, leaded glass and patinated bronze, on oil lamp base, with an early Tiffany Studios tag and numbered 'D435'. Brownish-green patina. Base impressed with Tiffany decorating monogram. Literature : Alastair Duncan, “Tiffany Lamps and Metalware," reference # 551, P 130.
• A FINE TIFFANY STUDIOS, NEW YORK DAFFODIL
  A FINE TIFFANY STUDIOS, NEW YORK DAFFODIL TABLE LAMP Early 20th century. Leaded glass and patinated bronze. Brownish-red patinated urn-form "Crutch" base. Shade impressed 'TIFFANY STUDIOS NEW YORK 1449'. Base impressed 'TIFFANY STUDIOS NEW YORK 444'. Literature : Alastair Duncan, “Tiffany Lamps and Metalware," reference # 570, P 136.
• TIFFANY STUDIOS BLOWN-OUT CANDLESTICK
  TIFFANY STUDIOS BLOWN-OUT CANDLESTICK Circa 1910. Blown glass and patinaed bronze. Base impressed 27363 TIFFANY STUDIOS NEW YORK & Decorating company monogram. Reddish-brown patina. Literature: Tiffany Lamps and Metalware: New Edition, Duncan, pg. 414.
• TIFFANY STUDIOS TURTLEBACK TILE FERNERY
  TIFFANY STUDIOS TURTLEBACK TILE FERNERY / JARDINIèRE Circa 1910. Favrile glass and patinaed bronze. Impressed TIFFANY STUDIOS NEW YORK 836. Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 396, fig. 1606. (Similar Example)
• TIFFANY STUDIOS "SCARAB" INKSTAND Circa
  TIFFANY STUDIOS "SCARAB" INKSTAND Circa 1902, patinaed bronze with a period clear glass inkwell liner. Impressed TIFFANY STUDIOS/NEW YORK and 26486 with the Tiffany Glass & Decorating Company monogram. Literature: Alastair Duncan, Tiffany At Auction, New York, 1981, p. 54. Robert Koch, Louis C Tiffany's Glass, Bronzes, Lamps: A Complete Collector's Guide, New York, 1989, pp. 90-91. Robert Koch, Louis C. Tiffany: The Collected Works of Robert Koch, Atglen, PA, 2001, pp. 214-215. John Loring, Louis Comfort Tiffany at Tiffany & Co., New York, 2002, p. 194. Alastair Duncan, Louis C. Tiffany: The Garden Museum Collection, Woodbridge, Suffolk, 2004, pp. 366 and 368 Alastair Duncan, Tiffany Lamps and Metalware, Woodbridge, Suffolk, 2007, pp. 395, 428 and 430.
• TIFFANY STUDIOS BLOWNOUT INKWELL Favrile
  TIFFANY STUDIOS BLOWNOUT INKWELL Favrile glass, patinaed bronze. Impressed TIFFANY STUDIOS NEW YORK 27358.Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 427, fig. 1699. (Similar Example)
• TIFFANY FURNACES AZURITE ART DECO DESK
  TIFFANY FURNACES AZURITE ART DECO DESK SET Circa 1900, gilt bronze and enamel. 18 pieces including: pen trays, humidor, ink blotter, calendar, letter scale, letter opener, magnifying glass, letter organizer, fountain pen, ink stand, notepad holder, etc.Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 496, fig. 1930-1933. (Similar Example)
• TIFFANY FURNACES, ART DECO PATTERN DESK
  TIFFANY FURNACES, ART DECO PATTERN DESK CLOCK Circa 1905. Movement marked Chelsea Clock Co. Boston USA 154652. Gilt bronze impressed LOUIS C. TIFFANY FURNACES INC 376 with company monogram.Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 498, fig. 1935. (Similar Example)
• TIFFANY STUDIOS LINENFOLD BALANCED LAMP
  TIFFANY STUDIOS LINENFOLD BALANCED LAMP Circa 1905. Favrile glass, patinaed bronze. Shade impressed TIFFANY STUDIOS NEW YORK PAT. APPL'D FOR 1940. Base impressed TIFFANY STUDIOS NEW YORK 415.Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 192, fig. 747, 748, 750. (Similar Example)
• TIFFANY STUDIOS NAUTILUS SHELL DESK
  TIFFANY STUDIOS NAUTILUS SHELL DESK LAMP Early 20th century. Adjustable bronze ribbed base. Signed TIFFANY STUDIOS #26263 with monogram.Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 86, fig. 334.
• TIFFANY STUDIOS & LOUIS GUDEBROD, NAUTILUS
  TIFFANY STUDIOS & LOUIS GUDEBROD, NAUTILUS TABLE LAMP Circa 1900. Cast bronze in the form of a mermaid holding a nautilus shell, inscribed GUDEBROD and signed TIFFANY STUDIOS NEW YORK 28681.Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 86, fig. 336.
• TIFFANY STUDIOS LINENFOLD COUNTERBALANCE
  TIFFANY STUDIOS LINENFOLD COUNTERBALANCE LAMP Circa 1910. Favrile glass, patinaed bronze. Shade impressed TIFFANY STUDIOS NEW YORK 1940. Base impressed TIFFANY STUDIOS NEW YORK S1185.Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 193, fig. 752. (Similar Example)
• TIFFANY STUDIOS "TURTLE BACK" TABLE
  TIFFANY STUDIOS "TURTLE BACK" TABLE LAMP Circa 1910, with torpedo base. Leaded glass, patinaed bronze. Shade impressed TIFFANY STUDIOS NEW YORK 1419. Base impressed TIFFANY STUDIOS NEW YORK 414.Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 127, fig. 537. (Similar Example)
• TIFFANY STUDIOS "CROCUS" TABLE LAMP
  TIFFANY STUDIOS "CROCUS" TABLE LAMP Circa 1903-1905. Leaded glass, patinaed bronze. Shade with a small early tag impressed TIFFANY STUDIOS NEW YORK. Base impressed TIFFANY STUDIOS NEW YORK 26878.Literature: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p. 26, fig. 62.
• TIFFANY STUDIOS DICHROIC "JEWELED DRAGONFLY"
  TIFFANY STUDIOS DICHROIC "JEWELED DRAGONFLY" TABLE LAMP Circa 1915, with a "Pony Tree Trunk" base. Leaded glass, patinated bronze. Shade impressed TIFFANY STUDIOS NEW YORK tag. Base impressed TIFFANY STUDIOS NEW YORK 554.Literature: Base: Alastair Duncan, "Tiffany Lamps and Metalware", Woodbridge, Suffolk, 2007, p.108, fig. 437.
• FOUR L.C. TIFFANY GILT-BRONZE TABLE
  FOUR L.C. TIFFANY GILT-BRONZE TABLE ITEMSFour L.C. Tiffany gilt-bronze table items, Circa 1902-1928; New York, NY Three signed: Tiffany Studios / New York; Further marked: 1680 / 1723 / 1747; One signed: Louis C. Tiffany Furnaces, Inc. / [L.C.T. monogram] / 304 Each gilt-bronze, comprising one Tiffany Studios etched border serving tray with stylized floral motif border, one Tiffany Studios "Abalone" card tray with floral border and inset mother-of-pearl discs, one Tiffany Studios "Venetian" cigarette box with cold painted decorations, and one Louis C. Tiffany Furnaces charger with blue and pink enameled geometric border, 4 pieces Largest: .5" H x 14" Dia.; Smallest: 2.25" H x 5.5" W x 3.875" D Provenance: The Alan Schneider Collection Literature: Serving tray: Alastair Duncan, "Tiffany Lamps and Metalware," 2007, p. 526. Card tray: Alastair Duncan, "Tiffany Lamps and Metalware," 2007, p. 452, fig. 1802. Cigarette Box: Alastair Duncan, "Tiffany Lamps and Metalware," 2007, p. 449, fig. 1787. Dimensions: Largest: .5" H x 14" Dia.; Smallest: 2.25" H x 5.5" W x 3.875" D Provenance: The Alan Schneider Collection
• A TIFFANY STUDIOS GILT-BRONZE "ABALONE"
  A TIFFANY STUDIOS GILT-BRONZE "ABALONE" DESK SETA Tiffany Studios gilt-bronze "Abalone" desk set, Circa 1902-1919; New York, NY Each signed: Tiffany Studios / New York; Further marked: 1153 / 1159 / 1164 / Each gilt-bronze with medallions and geometric linear patterning with inset mother-of-pearl discs, comprising a letter scale, a rocker blotter, a pen tray with an associated mother-of-pearl handled pen, a paper knife, and two blotter ends, 7 pieces Largest: .25" H x 12.25" W x 2.25" D; Smallest: 3.125" H x 1.75" W x 2.875" D Provenance: The Alan Schneider Collection Literature: Alastair Duncan, "Tiffany Lamps and Metalware," 2007, p. 472, fig. 1859. Dimensions: Largest: .25" H x 12.25" W x 2.25" D; Smallest: 3.125" H x 1.75" W x 2.875" D Provenance: The Alan Schneider Collection
• THREE TIFFANY STUDIOS GILT-BRONZE "ZODIAC"
  THREE TIFFANY STUDIOS GILT-BRONZE "ZODIAC" DESK ACCESSORIESThree Tiffany Studios gilt-bronze "Zodiac" desk accessories, Circa 1902-1919; New York, NY Each signed: Tiffany Studios / New York; Further marked: 988 / 1009 Each gilt-bronze with "Zodiac" motif depicting the astrological signs in cartouches surrounded by interlace, comprising a small paper rack and two blotter ends, 3 pieces Paper rack: 6.25" H x 9.625" W x 2.5" D; Each blotter end: .375" H x 19.25" W x 2" D Provenance: The Alan Schneider Collection Literature: Alastair Duncan, "Tiffany Lamps and Metalware," 2007, pp. 473-475. Dimensions: Paper rack: 6.25" H x 9.625" W x 2.5" D; Each blotter end: .375" H x 19.25" W x 2" D Provenance: The Alan Schneider Collection
• A GROUP OF TIFFANY STUDIOS "PINE NEEDLE"
  A GROUP OF TIFFANY STUDIOS "PINE NEEDLE" DESK SET ITEMSA group of Tiffany Studios "Pine Needle" desk set items, Circa 1902-1919; New York, NY Each signed: Tiffany Studios / New York; Further marked: 940 / 961 / 981 / 997 / 1004 Each mottled green glass with patinated bronze pine needle motif overlay, comprising a calendar frame, a pen tray, a bill file hook, four bronze blotter corners, and a pen brush, 8 pieces Largest: 6.5" H x 7.5" W x 3.125" D; Smallest: 2" H x 2.25" Dia. Provenance: The Alan Schneider Collection Literature: Alastair Duncan, "Tiffany Lamps and Metalware," 2007, pp. 466-469. Notes: In the Tiffany Studios catalogue, the pattern was originally referred to as "Etched Metal and Glass." Dimensions: Largest: 6.5" H x 7.5" W x 3.125" D; Smallest: 2" H x 2.25" Dia. Provenance: The Alan Schneider Collection
• THREE TIFFANY STUDIOS DESK ACCESSORIESThree
  THREE TIFFANY STUDIOS DESK ACCESSORIESThree Tiffany Studios desk accessories, Circa 1902-1919 Each signed: Tiffany Studios / New York Each verdigris patinated bronze, comprising a rectangular picture frame with green rippled glass and foliate motif bronze overlay, a calendar frame with green mottled glass and foliate motif bronze overlay, and a "Grape Vine" pen tray with green mottled glass and bronze overlay, 3 pieces Largest: 6.375" H x 7.5" W; Smallest: 1.5" H x 8.5" W x 3" D Provenance: The Alan Schneider Collection Literature: Alastair Duncan, "Tiffany Lamps and Metalware," 2007, p. 442, fig. 1762. Notes: In the Tiffany Studios catalogue, the grape vine pattern was originally referred to as "Etched Metal and Glass." Dimensions: Largest: 6.375" H x 7.5" W; Smallest: 1.5" H x 8.5" W x 3" D Provenance: The Alan Schneider Collection
• A TIFFANY STUDIOS "GRAPE VINE" BRONZE
  A TIFFANY STUDIOS "GRAPE VINE" BRONZE PICTURE FRAMEA Tiffany Studios "Grape Vine" bronze picture frame, Circa 1902-1919; New York, NY Signed: Tiffany Studios / New York The rectangular verdigris patinated bronze "Grape Vine" frame with green mottled glass and bronze overlay enclosing a rectangular opening 8.75" H x 7.25" W x 4.5" D; Opening: 4.75" H x 3.25" W Provenance: The Alan Schneider Collection Literature: Alastair Duncan, "Tiffany Lamps and Metalware," 2007, pp. 466-469. Notes: In the Tiffany Studios catalogue, the pattern was originally referred to as "Etched Metal and Glass." Dimensions: 8.75" H x 7.25" W x 4.5" D; Opening: 4.75" H x 3.25" W Provenance: The Alan Schneider Collection